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Bill Vazan
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・ Bill Viola (martial artist)


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Bill Vazan : ウィキペディア英語版
Bill Vazan

Bill Vazan is a Canadian artist, born in Toronto, Ontario in 1933. He studied Fine Arts at the Ontario College of Art in Toronto, and at the École des beaux-arts in Paris. In 1970 he graduated with a B.A. from Sir George Williams University, now Concordia University, in Montreal, Quebec. He currently lives and works in Montreal. Since 1982 he has taught at the Université du Québec à Montréal. Vazan is internationally known for his land art creations, sculpture, painting and photography. His work has been widely exhibited in North America and abroad.〔("Meet the Artist: Bill Vazan" ) Cybermuse. Retrieved 3 March 2009.〕 He was made a member of the Royal Canadian Academy of Arts.〔(【引用サイトリンク】url=http://www.rca-arc.ca/en/about_members/since1880.asp )
Bill Vazan has described himself as "someone who is by nature neurotic, compulsive and obsessive".〔("Walking Into the Vanishing Point: Conceptual Works of Bill Vazan" ) Vox. Retrieved 3 March 2009.〕 Starting in the late 1960s, he has made journeys in Montreal and Toronto, and later across Canada and around the world, documenting the journeys in sequences of photographs, maps and notes. The pictures are constrained by a self-imposed protocol such as recording every bus stop or street intersection from exactly the same spatial direction without regard to lighting or composition. The work consists of the line of photographs in the itinerary rather than the individual images. In his projects Canada Line (1969–1970), Worldline (1969–1971) and Intercommunication Lines (1968/2002), Vazan used lines of black tape on the ground to virtually link the locations, symbolically eliminating distance and time.〔
Bill Vazan's conceptual and minimalist land art projects of the 1960s and 1970s were often ephemeral, created by chalk lines, arrangements of stones and so on, and now only surviving through photographs, books and videos. He created "Canada in Parentheses" in collaboration with Ian Wallace in August 1969. Working simultaneously, each artist created a crescent-shaped form: Wallace on the west coast and Vazan on the east coast. Vazan created other controversial land art projects on the Plains of Abraham in Quebec City (1979), on the Nazca plains in Peru (1984–86), in Utah and Nevada (1993), in Gotland, Sweden (1997) and in the mountains of Thebes in Egypt (2001). In some of these works, Vazan created quasi-mythical sculptures, including rock engravings that resemble Aztec, Mayan or Celtic art.〔("A Conversation with Bill Vazan: Cosmological Shadows" ) Sculpture.org. Retrieved 3 March 2009.〕
Bill Vazan considers that nature and humanity are profoundly linked. His work investigates the human-cosmos relationship. In these works, what is important is not what is seen but what is unseen and unknown - the "cosmological shadows".〔("Bill Vazan: Cosmological Shadows" ) Kelowna Art Gallery. Retrieved 3 March 2009.〕

Story Rock - Bill Vazan - 03.JPG|
''Story Rock'', 1986
Mirages, Bill Vazan 03.jpg|
''Mirages'', 2002
Vortexit II - Bill Vazan - 16.JPG|
''Vortexit II'', 2009

==Solo exhibitions==
Bill Vazan has exhibited in numerous group exhibitions, and in the following solo exhibitions:〔("Bill Vazan" ) York University Fine Arts. Retrieved 3 March 2009.〕
*2005 ''Cosmological Shadows'' Musée régional de la Côte Nord, Sept-Îles, Quebec
*2004 ''Cosmological Shadows'' Nickle Arts Museum, University of Calgary, Calgary
*2004 ''Cosmological Shadows'' Centre d'exposition de l'Université de Montréal, Montreal
*2003 ''Cosmological Shadows'' Canadian Museum of Contemporary Photography, Ottawa
*2002 ''Surface'' Centre des arts contemporains du Québec à Montréal, Montreal
*2002 ''Soundings From The Water Planet, (selection)'' Deleon White Gallery, Toronto, Ontario.
*2002 ''Soundings From The Water Planet. Surface'' CACQM, Montreal, Quebec.
*2001 ''Cosmological Shadows'' Musée national des beaux-arts du Québec (Expo. Itinérante)
*1999 ''Jumpgates 2000'' Art Gallery of Peterborough, Ontario.
*1997 ''Complicité: Cambodge, 1997'' Espace 502, Montreal, Quebec.
*1994 ''Regard sur l'œuvre photographique 1981-1994; De l'autre coté du miroir'' Musée d'art de Joliette. Joliette, Quebec.
*1994 ''Sculpture, Paintings and Photos'' Galerie Dresdnere, Toronto, Ontario.
*1993 ''Photowrite'' Kibbutz Art Gallery, Tel-Aviv, Israel.
*1992 ''A Cosmic Dance'' Agnes Etherington Art Centre, Queen's University, Kingston, Ontario.
*1989 ''Unfolding & Heaping, 49th Parallel'' Canadian Contemporary Art Centre, New York, USA.
*1989 ''Recent Works'' Eye-Level Gallery, Halifax, Nova Scotia.
*1989 ''Mind Frames'' White Water Gallery, North Bay Firefields, North Bay, Ontario.
*1989 ''Mind Frames'' Struts Gallery, Sackville, New Brunswick
*1981 ''Mind Frames - Recent Land and Photoworks'' Winnipeg Art Gallery; Manitoba.
*1981 ''Mind Frames'' Norman Mackenzie Art Gallery, Regina, Saskatchewan.
*1981 ''Mind Frames'' Art Gallery of Windsor, Ontario.
*1980 ''Suites photographiques récentes et œuvres sur le terrain'' Musée d'art contemporain de Montréal, Montreal, Quebec. (exposition itinérante)
*1979 ''œuvres et documentation photographique'' La chambre blanche,〔(La Chambre Blanche website ) Retrieved 4 March 2009.〕 Quebec City, Quebec.
*1977 ''Visual Spheres: Photo Scannings'' Galerie Gilles Gheerbrant, Montreal, Quebec.
*1977 ''œuvres planétaires'' Galerie Shandar, Paris, France.
*1976 ''Paris Scannings'' International Cultural Centre, Antwerp, Belgium
*1975 ''Obras recientes'' Centro de arte y comunicacion, Buenos Aires
*1975 ''Obras recientes'' Gilles Gheerbrant, Montreal, Quebec.
*1975 ''Trajectoires solaires'' Galerie d'art de l'Université de Sherbrooke, Quebec.
*1974 ''Contacts'' Musée d'art contemporain, Montréal, Quebec.
*1974 ''Champs de Force'' Mezzanine Gallery, Nova Scotia College of Art, Halifax.
*1970 ''Maps & Movings' A Space, Toronto, Ontario.
*1969 ''Taped Sculpture Court'' Art Gallery of Ontario, Toronto, Ontario.
*1968 ''1 + 2 + 3'' Galerie Libre, Montreal, Quebec.

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